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Mooca Houses
Moóca Houses explores the unsettling absurdity of appearances. Beneath the calm geometry of everyday architecture lies an unspoken tension, a quiet humour and the persistent feeling that something has happened, or is about to. Through colour and light, familiar façades become places where the invisible feels unmistakably present.
Blueberry Bubble
Some places seem too perfect to be entirely trustworthy.Blueberry Bubble captures the seductive calm of an immaculate façade, where colour, light and geometry appear to exist in complete agreement. Yet beneath that polished surface lingers the quiet suspicion that reality has been carefully edited. The painting invites the viewer to enjoy the beauty of the scene while wondering what has been left outside the frame.Hand-painted in acrylic on canvas, this 29 × 29 cm artwork is presented in a handcrafted solid wood frame, built by the artist as an integral part of the piece. More than a painting, it is a small architectural object, ready to hang or to rest on a shelf.
Neighbour's Grass
Neighbour's Grass explores the unsettling tension hidden within perfect order. Every line appears deliberate, every color composed, every shadow exactly where it should be. And yet an indefinable discomfort emerges. The silence is too complete, the harmony almost excessive, as if the painting were withholding a secret it refuses to reveal. Rather than telling a story, the work leaves the viewer alone with the persistent feeling that something remains unseen, but undeniably present.
Orange is not enough
Not everything can be solved with brighter colours.Orange Is Not Enough explores the unsettling gap between harmony and unease. The crisp geometry, saturated palette and immaculate façade promise certainty, yet something quietly resists that promise. The house appears calm, but its shadows suggest a story that refuses to become fully visible.Hand-painted in acrylic on canvas, this 29 × 29 cm artwork is presented in a handcrafted solid wood frame, built by the artist as an integral part of the piece. More than a painting, it becomes a small architectural object, ready to hang or to rest on a shelf, where it quietly occupies the space between sculpture and image.
